Last weekend, we started the series 'Vom Werden deutscher Filmkunst - Der Tonfilm' (From the becoming of German film art, the sound film) by Ross Verlag. This interesting series of collectors cards treats the German sound film between 1929 and 1935, and although we couldn't acquire all the cards of the series yet, the posts give an impression of the film production by the Ufa and the other German studios just before and after the rise of the Nazis. Today part 3: the numbers 100-150. Tomorrow follows the final part of the series.
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 103. Photo: Tobis-Sascha-Film / Ross Verlag. Paula Wessely in Maskerade/Masquerade in Vienna (Willi Forst, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 105. Photo: Ufa / Ross Verlag. Hans Adalbert Schlettow, Cilly Feindt and Hermann Speelmans in Ferien von Ich/Vacation from me (Hans Deppe, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 107. Photo: Ufa / Ross Verlag. Willi Schur, Karl Ludwig Diehl and Hermann Speelmans in Ein Mann will nach Deutschland/A Man Wants to Get to Germany (Paul Wegener, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 109. Photo: Ufa / Ross Verlag. Otto Gebühr in Das Flötenkonzert von Sanssouci/The Flute Concert of Sans-Souci (Gustav Ucicky, 1930).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 112. Photo: Phoebus-Film / Ross Verlag. Theodor Loos and Dorothea Wieck in Trenck - Der Roman einer großen Liebe/Trenck (Ernst Neubach, Heinz Paul, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 116, Group 44. Photo: Aafa / Ross Verlag. Willi Domgraef Fassbaender in Theodor Körner (Carl Boese, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 118. Photo: Richard Oswald-Film / Ross Verlag. Albert Bassermann in 1914, die letzten Tage vor dem Weltbrand/1914: The Last Days Before the War (Richard Oswald, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 120, group 44. Photo: H.P. Film der Praesenz / Ross Verlag. Karl Körner, Henry Pless and Hans Mühlhofer in Tannenberg (Heinz Paul, 1932). Caption: Lüdendorf, Hindenburg und Oberleutnant Hoffmann in dem Film Tannenberg, dargestellt van Schauspielern. (Lüdendorf, Hindenburg and senior lieutenant Hoffmann in the film Tannenberg, played by actors.)
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, image no. 123. Photo: Ufa / Ross Verlag. Rudolf Forster in Morgenrot/Dawn (Vernon Sewell, Gustav Ucicky, 1933).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 124. Photo: Terra-Film / Ross Verlag. Sepp Rist in Die Reiter von Deutsch-Ostafrika/The Riders of German East Africa (Herbert Selpin, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 126, group 44. Photo: Arya Film / Ross Verlag. Ludwig Schmid-Wildy in Stoßtrupp 1917/Shock Troop (Ludwig Schmid-Wildy, Hans Zöberlein, 1934).
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Clik here to view.![Karl Ludwig Diehl, Ery Bos, Theodor Loos and Fritz Odemar in Schuss im Morgengrauen (1932)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 129, group 44. Photo: Ufa / Ross Verlag. Karl Ludwig Diehl, Ery Bos, Theodor Loos and Fritz Odemar in Schuss im Morgengrauen/A Shot at Dawn (Alfred Zeisler, 1932).
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Clik here to view.![Walter Slezak and Hans Mierendorff in Mein Leopold (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 130. Photo: Ufa / Ross Verlag. Walter Slezak and Hans Mierendorffin Mein Leopold/My Leopold (Hans Steinhoff, 1931).
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Clik here to view.![Max Adalbert and Harald Paulsen in Mein Leopold (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 131. Photo: Messtro-Film / Ross Verlag. Max Adalbert and Harald Paulsen in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
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Clik here to view.![Paul Hartmann in Der Tunnel (1933)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 132, group 44. Photo: Bayerische Filmges. / Ross Verlag. Paul Hartmann in Der Tunnel/The Tunnel (Kurt Bernhardt, 1931).
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Clik here to view.![Inge Landgut and Käthe Haack in Hanneles Himmelfahrt (1934)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 135. Photo: Aafa / Ross Verlag. Inge Landgut and Käthe Haack in Hanneles Himmelfahrt/Hannele's Ascension (Thea von Harbou, 1934).
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Clik here to view.![Liane Haid in Die Csardasfürstin (1927)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 136, Group 44. Photo: Ufa / Ross Verlag. Liane Haid in Die Csardasfürstin/The Csardas Princess (Hanns Schwarz, 1927).
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Clik here to view.![Marta Eggerth in Die Czardasfürstin (1934)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 137. Photo: Ufa / Ross Verlag. Marta Eggerth in Die Czardasfürstin/The Csardas Princess (Georg Jacoby, 1934).
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Clik here to view.![Fritz Schulz and Paul Heidemann in Dienst ist Dienst (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 139, group 44. Photo: Ufa / Ross Verlag. Fritz Schulz and Paul Heidemann in Dienst ist Dienst/Duty is Duty (Carl Boese, 1931).
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Clik here to view.![Hans Albers, Conrad Veidt and Charles Boyer in F.P.1 antwortet nicht (1932)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 141. Photo: Ufa / Ross Verlag. Hans Albers, Conrad Veidt and Charles Boyer, the stars of the German, English and French versions of F.P.1 antwortet nicht/F.P.1 Doesn't Answer (Karl Hartl, 1932).
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Clik here to view.![Heinz Rühmann and Lilian Harvey in Einbrecher (1930)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 142, group 44. Photo: Ufa / Ross Verlag. Heinz Rühmann and Lilian Harvey in the German version of Einbrecher/Burglars (Hanns Schwarz, 1930).
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Clik here to view.![Blanche Montel and Charles Dechamps in Flagrant délit (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 143. Photo: Ufa / Ross Verlag. Blanche Montel and Charles Dechamps in Flagrant délit (Hanns Schwarz, Georges Tréville, 1931), the alternate version of Einbrecher/Burglars (Hanns Schwarz, 1930). Caption: "Dieselbe Szene der französischen Fassung mit französischen Darstellern in der deutschen Decoration." (The same scene from the French version with French actors in the German sets.)
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Clik here to view.![Henny Porten and Gustaf Gründgens in Luise, Königin von Preußen (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 146, group 44. Photo: Nero-Porten-Film / Ross Verlag. Henny Porten and Gustaf Gründgens in Luise, Königin von Preußen/Luise, Queen of Prussia (Carl Froelich, 1931).
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Clik here to view.![Gary Cooper and Marlene Dietrich in Morocco (Herzen in Flammen) (1931)]()
German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 149. Photo: Paramount / Ross Verlag. Gary Cooper and Marlene Dietrich in Morocco (Herzen in Flammen) (Josef von Sternberg, 1930).
To be continued.
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 103. Photo: Tobis-Sascha-Film / Ross Verlag. Paula Wessely in Maskerade/Masquerade in Vienna (Willi Forst, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 105. Photo: Ufa / Ross Verlag. Hans Adalbert Schlettow, Cilly Feindt and Hermann Speelmans in Ferien von Ich/Vacation from me (Hans Deppe, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 107. Photo: Ufa / Ross Verlag. Willi Schur, Karl Ludwig Diehl and Hermann Speelmans in Ein Mann will nach Deutschland/A Man Wants to Get to Germany (Paul Wegener, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 109. Photo: Ufa / Ross Verlag. Otto Gebühr in Das Flötenkonzert von Sanssouci/The Flute Concert of Sans-Souci (Gustav Ucicky, 1930).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 112. Photo: Phoebus-Film / Ross Verlag. Theodor Loos and Dorothea Wieck in Trenck - Der Roman einer großen Liebe/Trenck (Ernst Neubach, Heinz Paul, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 116, Group 44. Photo: Aafa / Ross Verlag. Willi Domgraef Fassbaender in Theodor Körner (Carl Boese, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 118. Photo: Richard Oswald-Film / Ross Verlag. Albert Bassermann in 1914, die letzten Tage vor dem Weltbrand/1914: The Last Days Before the War (Richard Oswald, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 120, group 44. Photo: H.P. Film der Praesenz / Ross Verlag. Karl Körner, Henry Pless and Hans Mühlhofer in Tannenberg (Heinz Paul, 1932). Caption: Lüdendorf, Hindenburg und Oberleutnant Hoffmann in dem Film Tannenberg, dargestellt van Schauspielern. (Lüdendorf, Hindenburg and senior lieutenant Hoffmann in the film Tannenberg, played by actors.)
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, image no. 123. Photo: Ufa / Ross Verlag. Rudolf Forster in Morgenrot/Dawn (Vernon Sewell, Gustav Ucicky, 1933).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 124. Photo: Terra-Film / Ross Verlag. Sepp Rist in Die Reiter von Deutsch-Ostafrika/The Riders of German East Africa (Herbert Selpin, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 126, group 44. Photo: Arya Film / Ross Verlag. Ludwig Schmid-Wildy in Stoßtrupp 1917/Shock Troop (Ludwig Schmid-Wildy, Hans Zöberlein, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 129, group 44. Photo: Ufa / Ross Verlag. Karl Ludwig Diehl, Ery Bos, Theodor Loos and Fritz Odemar in Schuss im Morgengrauen/A Shot at Dawn (Alfred Zeisler, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 130. Photo: Ufa / Ross Verlag. Walter Slezak and Hans Mierendorffin Mein Leopold/My Leopold (Hans Steinhoff, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 131. Photo: Messtro-Film / Ross Verlag. Max Adalbert and Harald Paulsen in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 132, group 44. Photo: Bayerische Filmges. / Ross Verlag. Paul Hartmann in Der Tunnel/The Tunnel (Kurt Bernhardt, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 135. Photo: Aafa / Ross Verlag. Inge Landgut and Käthe Haack in Hanneles Himmelfahrt/Hannele's Ascension (Thea von Harbou, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 136, Group 44. Photo: Ufa / Ross Verlag. Liane Haid in Die Csardasfürstin/The Csardas Princess (Hanns Schwarz, 1927).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 137. Photo: Ufa / Ross Verlag. Marta Eggerth in Die Czardasfürstin/The Csardas Princess (Georg Jacoby, 1934).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 139, group 44. Photo: Ufa / Ross Verlag. Fritz Schulz and Paul Heidemann in Dienst ist Dienst/Duty is Duty (Carl Boese, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 141. Photo: Ufa / Ross Verlag. Hans Albers, Conrad Veidt and Charles Boyer, the stars of the German, English and French versions of F.P.1 antwortet nicht/F.P.1 Doesn't Answer (Karl Hartl, 1932).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 142, group 44. Photo: Ufa / Ross Verlag. Heinz Rühmann and Lilian Harvey in the German version of Einbrecher/Burglars (Hanns Schwarz, 1930).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 143. Photo: Ufa / Ross Verlag. Blanche Montel and Charles Dechamps in Flagrant délit (Hanns Schwarz, Georges Tréville, 1931), the alternate version of Einbrecher/Burglars (Hanns Schwarz, 1930). Caption: "Dieselbe Szene der französischen Fassung mit französischen Darstellern in der deutschen Decoration." (The same scene from the French version with French actors in the German sets.)
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 146, group 44. Photo: Nero-Porten-Film / Ross Verlag. Henny Porten and Gustaf Gründgens in Luise, Königin von Preußen/Luise, Queen of Prussia (Carl Froelich, 1931).
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German collectors card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 149. Photo: Paramount / Ross Verlag. Gary Cooper and Marlene Dietrich in Morocco (Herzen in Flammen) (Josef von Sternberg, 1930).
To be continued.