Women are central in the fourth post on our (incomplete) series of collectors cards of Vom Werden deutscher Filmkunst. Ross Verlag published this collectors card series in 1935 for the 'Cigaretten-Bilderdienst', Altona-Bahrenfeld. Ten years earlier women like Henny Porten, Mady Christians and Lil Dagover seemed to rule the German cinema, and a new face arrived, the exquisite Lilian Harvey. In 1935, she would be the Queen of the German cinema.
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Eugen Klöpfer and Aud Egede Nissen in Die Strasse (1923). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 103, group 43. Photo: Stern-Film. Publicity still for Die Strasse/The Street (Karl Grune, 1923).
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Lien Deyers and Wilhelm Dieterle in Die Heilige und ihr Narr (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 106, Group 40. Photo: Defina. Publicity still with 'Golden' Lien Deyers and Wilhelm Dieterle in Die Heilige und ihr Narr/The Saint and Her Fool (Wilhelm Dieterle, 1928).
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Dita Parlo and Lars Hanson in Heimkehr (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 107, group 43. Photo: Ufa. Publicity still for Heimkehr/Homecoming (Joe May, 1928).
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Lil Dagover and Willy Fritsch in Ungarische Rhapsodie (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 111, group 43. Photo: Ufa. Publicity still for Ungarische Rhapsodie/Hungarian Rhapsody (Hanns Schwarz, 1928).
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Paul Hartmann in Der Evangelimann (1924). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 113, group 43. Photo: Ufa. Publicity still for Der Evangelimann/The evangelist (Holger-Madsen, 1924). Caption: Paul Hartmann in the filmed Opera 'The Evangelist' by Wilhelm Kienzl.
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Maria Solveg in Der Meister von Nürnberg (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 114, group 39. Photo: Ufa. Publicity still for Der Meister von Nürnberg/The Master of Nuremberg (Ludwig Berger, 1927).
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Mady Christians and Willy Fritsch in Ein Walzertraum (1925). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 115, group 40. Photo: Ufa. Publicity still for Ein Walzertraum/A Waltz-Dream (Ludwig Berger, 1925).
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Ossi Oswalda and Hermann Thimig in Die Puppe (1919). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 117, group 39. Photo: Union. Publicity still for Die Puppe/The Doll (Ernst Lubitsch, 1919). Caption: With Die Puppe/The Doll, Lubitsch created a completely new type of comedy for the screen.
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Henny Porten and Ralph Arthur Roberts in Meine Tante, deine Tante (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 118, group 39. Photo: Ufa. Publicity still for Meine Tante - Deine Tante/My Aunt, Your Aunt (Carl Froelich, 1927).
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Henny Porten and Emil Jannings in Kohlhiesels Töchter (1920). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 119, group 43. Photo: Ufa. Publicity still for Kohlhiesels Töchter/Kohlhiesel's Daughters (Ernst Lubitsch, 1920).
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Pola Negri in Die Bergkatze (1921). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 122, group 40. Photo: Ufa. Publicity still for Die Bergkatze/The Wildcat (Ernst Lubitsch, 1921).
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Clik here to view.![Lilian Harvey and Hans Junkermann in Die tolle Lola (1927)]()
Lilian Harvey and Hans Junkermann in Die tolle Lola (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 123, group 43. Photo: Eichberg-Film. Publicity still for Die tolle Lola/Fabulous Lola (Richard Eichberg, 1927).
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Clik here to view.![Rudolf Klein-Rogge and Gerda Maurus in Spione (1928)]()
Rudolf Klein-Rogge and Gerda Maurus in Spione (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 124. Photo: Ufa. Publicity still for Spione/Spies (Fritz Lang, 1928).
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Clik here to view.![Harry Piel in Rivalen (1923)]()
Harry Piel in Rivalen (1923). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 126, group 43. Photo: Harry Piel-Film. Publicity still for Rivalen/Rivals (Harry Piel, 1923).
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Clik here to view.![Harry Piel in Panik (1928)]()
Harry Piel in Panik (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 128. Photo: Ufa. Publicity still with Harry Piel fighting the lions in Panik/Panic (Harry Piel, 1928).
To be continued next Saturday.
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Eugen Klöpfer and Aud Egede Nissen in Die Strasse (1923). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 103, group 43. Photo: Stern-Film. Publicity still for Die Strasse/The Street (Karl Grune, 1923).
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Lien Deyers and Wilhelm Dieterle in Die Heilige und ihr Narr (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 106, Group 40. Photo: Defina. Publicity still with 'Golden' Lien Deyers and Wilhelm Dieterle in Die Heilige und ihr Narr/The Saint and Her Fool (Wilhelm Dieterle, 1928).
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Dita Parlo and Lars Hanson in Heimkehr (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 107, group 43. Photo: Ufa. Publicity still for Heimkehr/Homecoming (Joe May, 1928).
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Lil Dagover and Willy Fritsch in Ungarische Rhapsodie (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 111, group 43. Photo: Ufa. Publicity still for Ungarische Rhapsodie/Hungarian Rhapsody (Hanns Schwarz, 1928).
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Paul Hartmann in Der Evangelimann (1924). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 113, group 43. Photo: Ufa. Publicity still for Der Evangelimann/The evangelist (Holger-Madsen, 1924). Caption: Paul Hartmann in the filmed Opera 'The Evangelist' by Wilhelm Kienzl.
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Maria Solveg in Der Meister von Nürnberg (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 114, group 39. Photo: Ufa. Publicity still for Der Meister von Nürnberg/The Master of Nuremberg (Ludwig Berger, 1927).
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Mady Christians and Willy Fritsch in Ein Walzertraum (1925). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 115, group 40. Photo: Ufa. Publicity still for Ein Walzertraum/A Waltz-Dream (Ludwig Berger, 1925).
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Ossi Oswalda and Hermann Thimig in Die Puppe (1919). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 117, group 39. Photo: Union. Publicity still for Die Puppe/The Doll (Ernst Lubitsch, 1919). Caption: With Die Puppe/The Doll, Lubitsch created a completely new type of comedy for the screen.
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Henny Porten and Ralph Arthur Roberts in Meine Tante, deine Tante (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 118, group 39. Photo: Ufa. Publicity still for Meine Tante - Deine Tante/My Aunt, Your Aunt (Carl Froelich, 1927).
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Henny Porten and Emil Jannings in Kohlhiesels Töchter (1920). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 119, group 43. Photo: Ufa. Publicity still for Kohlhiesels Töchter/Kohlhiesel's Daughters (Ernst Lubitsch, 1920).
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Pola Negri in Die Bergkatze (1921). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 122, group 40. Photo: Ufa. Publicity still for Die Bergkatze/The Wildcat (Ernst Lubitsch, 1921).
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Lilian Harvey and Hans Junkermann in Die tolle Lola (1927). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 123, group 43. Photo: Eichberg-Film. Publicity still for Die tolle Lola/Fabulous Lola (Richard Eichberg, 1927).
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Rudolf Klein-Rogge and Gerda Maurus in Spione (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 124. Photo: Ufa. Publicity still for Spione/Spies (Fritz Lang, 1928).
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Harry Piel in Rivalen (1923). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 126, group 43. Photo: Harry Piel-Film. Publicity still for Rivalen/Rivals (Harry Piel, 1923).
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Harry Piel in Panik (1928). German collectors card by Ross Verlag in the series Vom Werden deutscher Filmkunst - Der Stumme Film, picture no. 128. Photo: Ufa. Publicity still with Harry Piel fighting the lions in Panik/Panic (Harry Piel, 1928).
To be continued next Saturday.