Let's play, this Postcard Friendship Friday. Do you know the French film La Ronde? It's a film directed in 1950 by Max Ophüls and based on Arthur Schnitzler's 1897 play Reigen. The film title is often translated as Roundabout. The episodes of the novel and the film are about illicit sexual encounters, and after each encounter, one of the two partners forms a liaison with the next person, resulting in an unbroken circle (ronde) by the end. So let's go roundabout with film partners postcards.
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Jean Marais and Alida Valli. German postcard by Wilhelm Schulze-Witteburg Graphischer Betrieb (WS-Druck), Wanne Eickel. Photo: Deutsche Commerz Film GmbH. Publicity still for Les Miracles n'ont lieu qu'une fois/Miracles Only Happen Once (Yves Allégret, 1951).
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Alida Valli and Jean-Pierre Aumont. Vintage Postcard, no. 952. Publicity still for Ultimo incontro/Last Meeting (Gianni Franciolini, 1951).
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Jean Pierre Aumont and Maria Montez. Dutch postcard, no. 3117. Photo: Universal International.
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Maria Montez and Douglas Fairbanks Jr. Spanish postcard by Sobe, no. 452. Photo: publicity still for The Exile (Max Ophüls, 1947).
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Douglas Fairbanks Jr. and Danielle Darrieux. Dutch postcard by Sparo. Photo: Universal. Publicity still for The Rage of Paris (Henry Koster, 1938).
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Danielle Darrieux and (right) Vittorio De Sica. Spanish promotion card by Cosmofilm. Photo: publicity still for Madame de... (Max Ophüls, 1953).
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Vittorio De Sica and Caterina Valente. German postcard by Netter's Star Verlag, Berlin. Photo: publicity still for Casino de Paris (André Hunebelle, 1957).
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Caterina Valente and Dietmar Schönherr. German postcard by Kolibri-Verlag, Minden/Westf., no. F 32. Photo: Ringpress / Vogelmann. Publicity still for Bonjour Kathrin (Karl Anton, 1956).
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Dietmar Schönherr and Ingrid Andree. East-German postcard by VEB Progress Film-Vertrieb, Berlin., no. 1847, 1963. Retail price: 0,20 DM. Photo: publicity still for Treibjagd auf ein Leben/Drive on a life (Ralph Lothar, 1961).
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Ingrid Andree and Franco Andrei. East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 222, 1957. Photo: Standard-film, Wien. Publicity still for Drei vom Variété/Three from Variety (Kurt Neumann, 1954).
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Franco Andrei and Maria Schell. German postcard by Kolibri-Verlag, no. I 103. Photo: Sohler / Magna / London-Film. Publicity still for Tagebuch einer Verliebten/The Diary of a Married Woman (Josef von Báky, 1953).
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Maria Schelland Jean Marais. Photocard. Publicity still for Le notti bianche/White Nights (Luchino Visconti, 1957).
Source: Wikipedia.
This is a post for Postcard Friendship Friday, hosted by Beth at the The Best Hearts are Crunchy. You can visit her by clicking on the button below.
Image may be NSFW.
Clik here to view.
Image may be NSFW.
Clik here to view.
Jean Marais and Alida Valli. German postcard by Wilhelm Schulze-Witteburg Graphischer Betrieb (WS-Druck), Wanne Eickel. Photo: Deutsche Commerz Film GmbH. Publicity still for Les Miracles n'ont lieu qu'une fois/Miracles Only Happen Once (Yves Allégret, 1951).
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Clik here to view.
Alida Valli and Jean-Pierre Aumont. Vintage Postcard, no. 952. Publicity still for Ultimo incontro/Last Meeting (Gianni Franciolini, 1951).
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Jean Pierre Aumont and Maria Montez. Dutch postcard, no. 3117. Photo: Universal International.
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Maria Montez and Douglas Fairbanks Jr. Spanish postcard by Sobe, no. 452. Photo: publicity still for The Exile (Max Ophüls, 1947).
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Douglas Fairbanks Jr. and Danielle Darrieux. Dutch postcard by Sparo. Photo: Universal. Publicity still for The Rage of Paris (Henry Koster, 1938).
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Danielle Darrieux and (right) Vittorio De Sica. Spanish promotion card by Cosmofilm. Photo: publicity still for Madame de... (Max Ophüls, 1953).
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Clik here to view.
Vittorio De Sica and Caterina Valente. German postcard by Netter's Star Verlag, Berlin. Photo: publicity still for Casino de Paris (André Hunebelle, 1957).
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Clik here to view.
Caterina Valente and Dietmar Schönherr. German postcard by Kolibri-Verlag, Minden/Westf., no. F 32. Photo: Ringpress / Vogelmann. Publicity still for Bonjour Kathrin (Karl Anton, 1956).
Image may be NSFW.
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Dietmar Schönherr and Ingrid Andree. East-German postcard by VEB Progress Film-Vertrieb, Berlin., no. 1847, 1963. Retail price: 0,20 DM. Photo: publicity still for Treibjagd auf ein Leben/Drive on a life (Ralph Lothar, 1961).
Image may be NSFW.
Clik here to view.
Ingrid Andree and Franco Andrei. East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 222, 1957. Photo: Standard-film, Wien. Publicity still for Drei vom Variété/Three from Variety (Kurt Neumann, 1954).
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Franco Andrei and Maria Schell. German postcard by Kolibri-Verlag, no. I 103. Photo: Sohler / Magna / London-Film. Publicity still for Tagebuch einer Verliebten/The Diary of a Married Woman (Josef von Báky, 1953).
Image may be NSFW.
Clik here to view.
Maria Schelland Jean Marais. Photocard. Publicity still for Le notti bianche/White Nights (Luchino Visconti, 1957).
Source: Wikipedia.
This is a post for Postcard Friendship Friday, hosted by Beth at the The Best Hearts are Crunchy. You can visit her by clicking on the button below.
Image may be NSFW.
Clik here to view.
