Swedish film and stage actress Ulla Jacobsson (1929-1982) achieved international fame with a nude scene in her second film, Hon dansade en sommar/One Summer of Happiness (1951). Another highlight was her serene performance in Bergman's Sommarnattens leende/Smiles of a Summer Night (1955).
![Ulla Jacobsson in Hon dansade en sommar (1951)]()
German postcard by Rüdel-Verlag, Hamburg-Bergedorf, no. 548. Photo: Nordisk Tonefilm / Constantin-Film. Publicity still for Hon dansade en sommar/One Summer of Happiness (Arne Mattsson, 1951).
![Ulla Jacobsson]()
German postcard by Kolibri-Verlag, no. 1081. Photo: Constantin-Film-Verleih. Publicity still for All jordens fröjd/All the World's Delights (Rolf Husberg, 1953).
![Ulla Jacobsson]()
German postcard by Rüdel-Verlag, no. 1999. Photo: CCC / Constantin-Film / Grimm. Publicity still for Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957).
![Ulla Jacobsson]()
German postcard by Kolbri-Verlag, Minden/Westf., no. F 10. Retail price: 25 Pf. Photo: Constantin/Leonard. Publicity still for Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957).
![Ulla Jacobsson]()
German postcard by Universum-film Aktiengesellschaft (UFA), Berlin-Templehof, no. CK-247. Retail price: 30 Pfg. Photo: Klaus Collignon.
Ulla Jacobsson was born in 1929 in Mölndal, a part of the Göteborg (Gothenburg) urban area on the west-coast of Sweden. After her stage debut in Göteborg’s Stadsteater in 1947, she appeared in plays by Kaj Munk, Bertolt Brecht, Jean Anouilh, and William Shakespeare.
She made her first film appearance in Bärande hav/The seas we travel (Arne Mattsson, 1951) with Alf Kjellin. Her second film with the same director, Hon dansade en sommar/One Summer of Happiness (Arne Mattsson, 1951), was presented at the Cannes Film Festival in 1951.
Based on the novel by Per Olof Ekstrom, the story revolves around the romance between 19-year old student Goran (Folke Sundquist) and the 17-year old farmer's daughter Kerstin (Ulla Jacobsson). A scene where Goran and Kerstin swim and embrace in the nude caused a sensation and made Jacobsson world-famous. In Cannes the film won a prize for the music and at the Berlin Film Festival the film was awarded with the Golden Bear.
Next Jacobsson appeared in such Swedish productions as All jordens fröjd/All the World's Delights (Rolf Husberg, 1953), the August Strindberg adaptation Karin Månsdotter (Alf Sjöberg, 1954), and Herr Arnes penningar/Sir Arne's Treasure (Gustaf Molander, 1954).
In Germany she also appeared in films, including Die Heilige Lüge/Pious Lies (Wolfgang Liebeneiner, 1954) with Karlheinz Böhm, and Der Pfarrer von Kirchfeld/The Priest from Kirchfeld (Hans Deppe, 1955) with Claus Holm.
Another international hit was the comedy of manners Sommarnattens leende/Smiles of a Summer Night (Ingmar Bergman, 1955). Bergman's comic masterpiece opens with middle-aged lawyer Frederik Egerman (Gunnar Bjornstrand) again failing to consummate his marriage with the much younger Anne (Ulla Jacobsson). At IMDb, reviewer Clavallie writes: “Charming, light-hearted, delicate, and romantic are not the terms most people think to use when describing Bergman films, and yet Smiles of a Summer Night is all of these. This is one of the most sophisticated romantic movies ever filmed, and a pure delight. It is a clever and witty romance based on the classic elements of French farce. Simply wonderful.”
The film’s success started Jacobsson’s international career. In France she starred in Crime et châtiment/Crime and punishment (Georges Lampin, 1956), an updated version of Fyodor Dostoyevsky's story about the Nietzchean student Raskolnikov (Bernard Blier). In Germany she appeared with O.E. Hasse and Maximilian Schell in Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957). That year she moved to Vienna, where she was offered an engagement at the Theater in der Josefstadt.
![Ulla Jacobsson]()
German postcard, no. 1048.
![Ulla Jacobsson]()
German postcard by Kunst und Bild, Berlin, no. A 1150. Photo: Berolina-Constantin-Wesel. Publicity photo for Und ewig bleibt die Liebe/Eternal Love (Wolfgang Liebeneiner, 1954).
![Ulla Jacobsson]()
German collector's card. Photo: Berolina-Constantin-Wesel.
![Ulla Jacobsson and Karlheinz Böhm, Die Heilige Lüge]()
German postcard by Kolibri-Verlag, no. 1447. Photo: Berolina / Constantin-Film / Wesel. Publicity still for Die heilige Lüge/Saintly Lie (Wolfgang Liebeneiner, 1954) with Karlheinz Böhm.
![Ulla Jacobsson and Jarl Kulle in Sången om den eldröda blomman (1956)]()
East-German postcard by VEB Progress Filmverlag, Berlin, no. 2.338, 1965. Photo: publicity still for Sången om den eldröda blomman/Song of the Scarlet Flower (Gustaf Molander, 1956) with Ulla Jacobsson and Jarl Kulle.
In the early 1960s, Ulla Jacobsson started appearing in English language films. She made one American film, the light romantic comedy Love Is a Ball (David Swift, 1963) starring Charles Boyer. At AllMovie, Hal Erickson writes: “the graceful and talented Jacobsson had to withstand an idiotic ad campaign which tried to redefine her as a Swedish ‘sex symbol’."
Normally she tended to play serious and anxious looking characters. In Great Britain she became better known for her part of the daughter of a missionary (played by Jack Hawkins) in Zulu (Cy Endfield, 1964). Filmed on a grand scale, Zulu is a rousing recreation of the 1879 siege of Rorke's Drift in Natal, Africa. An army of 4,000 Zulu warriors had already decimated a huge British garrison; and now threatened the much smaller Rorke's Drift with less than 100 British soldiers.
After this film, Jacobsson started hopscotching between Europe and England for the balance of her career. Other notable films include the war film The Heroes of Telemark (Anthony Mann, 1965) with Kirk Douglas, and La Servante/The Servant (Jacques-Paul Bertrand, 1970) with France Anglade. She won the Deutschen Filmpreis (German Film Award) for Supporting Actress for her part in Alle Jahre wieder/Next Year, Same Time (Ulrich Schamoni, 1967) with Sabine Sinjen.
She reunited with her first director, Arne Matsson for Bamse/My Father's Mistress (Arne Mattsson, 1970). Her last films were Wolfgang Petersen’s thriller Einer Von Uns Beiden/One or the Other (Wolfgang Petersen, 1975) with Elke Sommer, and Fassbinder’s Faustrecht der Freiheit/Fox and His Friends (Rainer Werner Fassbinder, 1975). The latter was the interesting and heartbreaking story of Fox, a gay sideshow worker (played by Fassbinder himself) who wins the lottery, only to be exploited to the hilt by his upper-class lover (Peter Chatel). Jacobsson played Chatel’s mother.
Later she only made a few more TV-films, including the miniseries Das Ding/The Thing (Uli Edel, 1978). The reason for her retirement was that she had fallen ill. In 1982 she died from bone cancer in a hospital in her hometown Vienna. She was 53.
Ulla Jacobsson was married three times. Her first marriage was to the Viennese engineer Josef Kornfeld, with whom she had a daughter, Ditte. Then she was married to Dutch painter Frank Lodeizen, with whom she had a son, Martin. Lodeizen’s daughter Rifka Lodeizen from a later marriage is now a well known film actress in the Netherlands. Jacobsson finally married Austrian ethnologist Hans Winfried Rohsmann.
American trailer for Hon dansade en sommar/One Summer of Happiness (1951). Source: Samuka Sam (YouTube).
Scene with Margit Carlqvist and Ulla Jacobsson in Sommarnattens leende/Smiles of a Summer Night (1955). Source: Prfit (YouTube).
Trailer for Zulu (1964). Source: 05HK09 (YouTube).
Trailer for The Heroes Of Telemark (1965). Source: Sala de Exibição (YouTube).
Sources: Hal Erickson (AllMovie), Rudi Polt (IMDb), Wikipedia (English, French and Swedish) and IMDb.
German postcard by Rüdel-Verlag, Hamburg-Bergedorf, no. 548. Photo: Nordisk Tonefilm / Constantin-Film. Publicity still for Hon dansade en sommar/One Summer of Happiness (Arne Mattsson, 1951).
German postcard by Kolibri-Verlag, no. 1081. Photo: Constantin-Film-Verleih. Publicity still for All jordens fröjd/All the World's Delights (Rolf Husberg, 1953).
German postcard by Rüdel-Verlag, no. 1999. Photo: CCC / Constantin-Film / Grimm. Publicity still for Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957).
German postcard by Kolbri-Verlag, Minden/Westf., no. F 10. Retail price: 25 Pf. Photo: Constantin/Leonard. Publicity still for Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957).
German postcard by Universum-film Aktiengesellschaft (UFA), Berlin-Templehof, no. CK-247. Retail price: 30 Pfg. Photo: Klaus Collignon.
Sensation
Ulla Jacobsson was born in 1929 in Mölndal, a part of the Göteborg (Gothenburg) urban area on the west-coast of Sweden. After her stage debut in Göteborg’s Stadsteater in 1947, she appeared in plays by Kaj Munk, Bertolt Brecht, Jean Anouilh, and William Shakespeare.
She made her first film appearance in Bärande hav/The seas we travel (Arne Mattsson, 1951) with Alf Kjellin. Her second film with the same director, Hon dansade en sommar/One Summer of Happiness (Arne Mattsson, 1951), was presented at the Cannes Film Festival in 1951.
Based on the novel by Per Olof Ekstrom, the story revolves around the romance between 19-year old student Goran (Folke Sundquist) and the 17-year old farmer's daughter Kerstin (Ulla Jacobsson). A scene where Goran and Kerstin swim and embrace in the nude caused a sensation and made Jacobsson world-famous. In Cannes the film won a prize for the music and at the Berlin Film Festival the film was awarded with the Golden Bear.
Next Jacobsson appeared in such Swedish productions as All jordens fröjd/All the World's Delights (Rolf Husberg, 1953), the August Strindberg adaptation Karin Månsdotter (Alf Sjöberg, 1954), and Herr Arnes penningar/Sir Arne's Treasure (Gustaf Molander, 1954).
In Germany she also appeared in films, including Die Heilige Lüge/Pious Lies (Wolfgang Liebeneiner, 1954) with Karlheinz Böhm, and Der Pfarrer von Kirchfeld/The Priest from Kirchfeld (Hans Deppe, 1955) with Claus Holm.
Another international hit was the comedy of manners Sommarnattens leende/Smiles of a Summer Night (Ingmar Bergman, 1955). Bergman's comic masterpiece opens with middle-aged lawyer Frederik Egerman (Gunnar Bjornstrand) again failing to consummate his marriage with the much younger Anne (Ulla Jacobsson). At IMDb, reviewer Clavallie writes: “Charming, light-hearted, delicate, and romantic are not the terms most people think to use when describing Bergman films, and yet Smiles of a Summer Night is all of these. This is one of the most sophisticated romantic movies ever filmed, and a pure delight. It is a clever and witty romance based on the classic elements of French farce. Simply wonderful.”
The film’s success started Jacobsson’s international career. In France she starred in Crime et châtiment/Crime and punishment (Georges Lampin, 1956), an updated version of Fyodor Dostoyevsky's story about the Nietzchean student Raskolnikov (Bernard Blier). In Germany she appeared with O.E. Hasse and Maximilian Schell in Die Letzten werden die Ersten sein/The Last Ones Shall Be First (Rolf Hansen, 1957). That year she moved to Vienna, where she was offered an engagement at the Theater in der Josefstadt.
German postcard, no. 1048.
German postcard by Kunst und Bild, Berlin, no. A 1150. Photo: Berolina-Constantin-Wesel. Publicity photo for Und ewig bleibt die Liebe/Eternal Love (Wolfgang Liebeneiner, 1954).
German collector's card. Photo: Berolina-Constantin-Wesel.
German postcard by Kolibri-Verlag, no. 1447. Photo: Berolina / Constantin-Film / Wesel. Publicity still for Die heilige Lüge/Saintly Lie (Wolfgang Liebeneiner, 1954) with Karlheinz Böhm.
East-German postcard by VEB Progress Filmverlag, Berlin, no. 2.338, 1965. Photo: publicity still for Sången om den eldröda blomman/Song of the Scarlet Flower (Gustaf Molander, 1956) with Ulla Jacobsson and Jarl Kulle.
Swedish Sex Symbol
In the early 1960s, Ulla Jacobsson started appearing in English language films. She made one American film, the light romantic comedy Love Is a Ball (David Swift, 1963) starring Charles Boyer. At AllMovie, Hal Erickson writes: “the graceful and talented Jacobsson had to withstand an idiotic ad campaign which tried to redefine her as a Swedish ‘sex symbol’."
Normally she tended to play serious and anxious looking characters. In Great Britain she became better known for her part of the daughter of a missionary (played by Jack Hawkins) in Zulu (Cy Endfield, 1964). Filmed on a grand scale, Zulu is a rousing recreation of the 1879 siege of Rorke's Drift in Natal, Africa. An army of 4,000 Zulu warriors had already decimated a huge British garrison; and now threatened the much smaller Rorke's Drift with less than 100 British soldiers.
After this film, Jacobsson started hopscotching between Europe and England for the balance of her career. Other notable films include the war film The Heroes of Telemark (Anthony Mann, 1965) with Kirk Douglas, and La Servante/The Servant (Jacques-Paul Bertrand, 1970) with France Anglade. She won the Deutschen Filmpreis (German Film Award) for Supporting Actress for her part in Alle Jahre wieder/Next Year, Same Time (Ulrich Schamoni, 1967) with Sabine Sinjen.
She reunited with her first director, Arne Matsson for Bamse/My Father's Mistress (Arne Mattsson, 1970). Her last films were Wolfgang Petersen’s thriller Einer Von Uns Beiden/One or the Other (Wolfgang Petersen, 1975) with Elke Sommer, and Fassbinder’s Faustrecht der Freiheit/Fox and His Friends (Rainer Werner Fassbinder, 1975). The latter was the interesting and heartbreaking story of Fox, a gay sideshow worker (played by Fassbinder himself) who wins the lottery, only to be exploited to the hilt by his upper-class lover (Peter Chatel). Jacobsson played Chatel’s mother.
Later she only made a few more TV-films, including the miniseries Das Ding/The Thing (Uli Edel, 1978). The reason for her retirement was that she had fallen ill. In 1982 she died from bone cancer in a hospital in her hometown Vienna. She was 53.
Ulla Jacobsson was married three times. Her first marriage was to the Viennese engineer Josef Kornfeld, with whom she had a daughter, Ditte. Then she was married to Dutch painter Frank Lodeizen, with whom she had a son, Martin. Lodeizen’s daughter Rifka Lodeizen from a later marriage is now a well known film actress in the Netherlands. Jacobsson finally married Austrian ethnologist Hans Winfried Rohsmann.
American trailer for Hon dansade en sommar/One Summer of Happiness (1951). Source: Samuka Sam (YouTube).
Scene with Margit Carlqvist and Ulla Jacobsson in Sommarnattens leende/Smiles of a Summer Night (1955). Source: Prfit (YouTube).
Trailer for Zulu (1964). Source: 05HK09 (YouTube).
Trailer for The Heroes Of Telemark (1965). Source: Sala de Exibição (YouTube).
Sources: Hal Erickson (AllMovie), Rudi Polt (IMDb), Wikipedia (English, French and Swedish) and IMDb.